The AABA song structure is a classic format in songwriting that offers a unique way to blend melody and storytelling. This format typically consists of two sections (A) that are repeated, followed by a contrasting section (B), and then a return to the A section. It’s like a comforting recipe where the familiar is mixed with a dash of surprise, creating a satisfying musical dish. Let’s dive into three famous examples of AABA songs that showcase this structure beautifully.
This iconic song from The Wizard of Oz is a perfect illustration of the AABA structure, capturing the essence of longing and hope. The song’s dreamy lyrics and haunting melody resonate with listeners, making it timeless.
In the context of the film, Dorothy sings about her desire to escape to a better place, reflecting her innocence and dreams. The first A section introduces her yearning, while the B section contrasts with a more whimsical and optimistic perspective. When the A section returns, it reinforces her longing, leaving the audience with a poignant sense of desire.
Example:
A: “Somewhere over the rainbow, way up high…"
A: “Somewhere over the rainbow, dreams that you dare to…"
B: “Someday I’ll wish upon a star…"
A: “Somewhere over the rainbow, way up high…”
Notes: The contrasting B section adds depth, showcasing the dreams and aspirations that underpin her longing, making the return to the A section even more powerful.
This jazz standard, popularized by countless artists, exemplifies the AABA structure through its infectious melody and upbeat tempo. Originally performed by Etta Moten in the 1930 musical Girl Crazy, the song has become a staple in the jazz repertoire.
In this piece, the A sections set up a lively and catchy rhythm that embodies joy and celebration. The B section provides a moment of contrast, introducing a more introspective and reflective tone, before returning to the jubilant A melody. This interplay between the sections captures the essence of rhythm as a force of life, making listeners want to tap their feet along.
Example:
A: “I got rhythm, I got music, I got my gal…"
A: “I got rhythm, I got music, I got my gal…"
B: “Old man trouble, I don’t mind him…"
A: “I got rhythm, I got music, I got my gal…”
Notes: Gershwin’s use of syncopation and upbeat lyrics in the A sections creates a vibrant atmosphere, while the B section allows for a moment of reflection, showcasing the beauty of the rhythm of life.
This beloved ballad is a staple in the Great American Songbook, often associated with the jazz genre. The AABA structure in this song highlights the complexity of love and longing, making it a favorite among singers and listeners alike.
In the context of the song, the A sections express tender affection mixed with a touch of melancholy, illustrating the bittersweet nature of unrequited love. The B section shifts the mood slightly, providing a more contemplative reflection on the beloved, before returning to the heartfelt A section that reiterates the singer’s deep feelings.
Example:
A: “My funny Valentine, sweet comic Valentine…"
A: “You make me smile with my heart…"
B: “Your looks are laughable, unphotographable…"
A: “My funny Valentine, sweet comic Valentine…”
Notes: The contrasting B section serves as an introspective moment, allowing the singer to delve deeper into their feelings, making the return to the A section even more poignant and heartfelt.
By examining these examples of famous AABA songs analysis, we can appreciate how this structure not only provides a framework for melody and lyrics but also enhances the emotional storytelling that resonates with listeners across generations.